Inspired by a wild blend of John Waters, Showgirls, and Miami heat, this project channels camp, color, and unapologetic glam. I created a Squarespace website, bold advertising materials, and oversized digital prints for The Can Can Culinary Cabaret’s flamboyant production of Flamingo—a tropical fever dream brought to life.

Based in Seattle’s historic Pike Place Market, The Can Can is part dinner theater, part burlesque, and part immersive nightlife experience. With live performances, creative cuisine, and over-the-top energy, they’re known for bending genres and bringing the unexpected. Flamingo took that spirit to the next level—and my design work leaned all the way in.

I designed the poster for Margot’s Off the Market, a short film by Courtney Karwal, capturing its offbeat charm and comedic tone with bold, cinematic visuals.

In addition to the poster, I also collaborated with Courtney on the design and layout of her personal website and portfolio, helping to create a cohesive, professional platform that reflects her voice as a filmmaker and comedian..

https://courtneykarwal.com

I partnered with Off the Rez, Seattle’s first Native-owned food truck, to design a collection of custom merch that reflects their bold identity and deep cultural roots.

From graphic tees to hoodies, the designs blend modern streetwear aesthetics with Indigenous-inspired elements—celebrating heritage while keeping the look fresh, wearable, and on-brand. This merch line was created to support their growing community presence and retail offerings.

During my time at Fred Wildlife Refuge, I led a full website redesign and developed marketing materials for both in-house productions and private events.
From digital promos to print collateral, my work helped elevate the venue’s visual identity and streamline communication across event types.

I collaborated with Afro Samurai creator Takashi Okazaki to develop branding, advertising materials, and a large-scale mural for the band Brent Amaker and the Rodeo.
The mural was hand-painted by Jeff Jacobson, featuring original anime-style line art by Okazaki, with final design and art direction by me, Jae Glenn.

I teamed up with Off the Rez to refresh their branding and menus for their newest brick-and-mortar location at the University of Washington.

The goal was to create a clean, cohesive visual identity that felt both modern and rooted in culture. I redesigned the logo to reflect the evolution of the brand—bold, streamlined, and grounded in Indigenous design elements. For the menus, we focused on clarity and flow, making it easier for students and visitors to connect with the story behind each dish while ordering quickly and confidently.

This design update supports Off the Rez’s expanding presence on campus, helping them stay true to their roots while reaching a wider audience in a high-traffic, high-energy environment.

Revolver Bar tapped me to concept and design their first line of promotional merch since opening in 2015.
Located in Seattle’s Capitol Hill neighborhood, Revolver is a 1970s-inspired vinyl bar with a cult following. I’m currently leading the creative direction for their upcoming release of graphic tees—bringing retro vibes to life with a fresh, modern twist.

For The Can Can’s holiday cabaret Wonderland, I created a suite of design assets that brought the magic of winter to the heart of Pike Place Market.

From whimsical promotional materials to elegant digital visuals, the branding reflected the show’s blend of festive sparkle and vintage cabaret flair capturing the spirit of the season with a wink and a twirl.

I partnered with renowned Seattle artist Jeff “Weirdo” Jacobson to create promotional assets for a campaign highlighting his work and community impact. Alongside developing the creative materials, I also served as the model for one of his murals—bringing his signature style of hyperrealistic portraiture and surreal organic forms to life.

This project was about more than just visuals—it connected Jacobson’s bold, imaginative work with a wider audience through both digital and physical storytelling. By blending promotional design with the mural experience, the campaign showcased the vibrancy of Seattle’s contemporary art scene while grounding it in personal connection.

For The Can Can’s This Is Halloween, a cabaret twist on Tim Burton’s The Nightmare Before Christmas, I designed promotional materials that brought the show’s spooky whimsy to life.

Set in the heart of Pike Place Market, the production blended gothic flair with holiday magic. My work included posters, digital assets, and themed visuals that captured its playful mix of eerie elegance and festive mischief.

I designed a website and poster series for musician Vince Mira, drawing inspiration from the golden era of rock 'n' roll.

Tapping into the timeless style of artists like Elvis Presley and Johnny Cash, the visuals blend vintage Americana with a modern edge reflecting Vince’s unique sound and stage presence. The result: a cohesive brand identity that feels both nostalgic and fresh.

BUCKAROOS USA is a cheeky, theatrical spin on classic male revues like Chippendales and Thunder From Down Under.
I developed the full brand identity for the show, including the logo, website, and a suite of marketing and promotional assets capturing its bold, campy spirit with a polished, high-impact visual style.